CATASTROPHE BALLET
As evening falls, knowing the dark for light
CATASTROPHE BALLET
As evening falls, knowing the dark for light
Review
JACOB’S LADDER: The Haunting Nightmare Comes Home on 4K UHD
IT ENDS Review: Striking a Deep Chord
FRANZ Review: Embracing an Incomplete Life
I WANT YOUR SEX Review: Close Encounters of the Sexual Kind
SHEEP IN THE BOX Review: Tale of Not So Artificial Intelligence
AFTER DARK FOUR Collects Six Neo-Noir Gems from the 1990s
PRESIDENT CURTIS Review: This Is an Elected Official I Can Support
CRUEL STORY OF YOUTH 4K Review: Anger and Desire in Post-War Japan
40 WATTS FROM NOWHERE Review: Pirate Radio Doc Highlights Long Lost Punk Era
Karlovy Vary 2026 Review: THE GUEST Serves Nordic Cringe as Family Dramedy
NYAFF 2026 Review: COLONY Puts Yeon Song-ho Back In The Undead Driver’s Seat
WESTHAMPTON Review: Dry Humor, Bittersweet Irony, Inherently Messy
Our Hero, Balthazar review – perceptive dark comedy
3 Weeks After – first-look review
Rosebush Pruning review – a dark-hearted, button-pushing hoot
Thoughts On S/He Is Still Her/e – The Official Genesis P-Orridge Documentary
Pigeon Shrine FrightFest Review: Azrael: Angel of Death Delivers Dialogue-Free Action Horror
LOCKBOX Review: Uneven Supernatural Horror Movie with TWIN PEAKS DNA
THE BIG COMBO 4K UHD Review: Restored 1955 Classic, Where Information Is Essential
CAMP Review: Unraveling the Divine Contradictions of Mourning
The Last Viking review – Danish dark comedy is a bonkers ride
Dances With Films 2026 Review: LITTERMATES, When Safety Is Not Sufficient
UNIDENTIFIED Review: Making Sure the Victim Receives Justice
Chattanooga 2026 Review: NIGHT AFTER NIGHT, Atmospheric Sci-Fi Horror Suffers from Narrative Ambiguity
LEVITICUS Review: Queer Horror Becomes Frighteningly Literal
ROSE OF NEVADA Review: Ancient Ways That Still Rule Us All
THE DEATH OF ROBIN HOOD Review: Brutality and Sweetness Battle to Affirm the Importance of Stories
Effi O Blaenau review – stealthy socialist propaganda
VIRGINIA WOOLF’S NIGHT & DAY Review: Frothy and Funny Modernization of a Lesser-Known Classic
Lesbian Space Princess review – a Sapphic sci-fi romp
Tribeca 2026 Review: ONLY WHAT WE CARRY, More Poetic Than Profound
Tribeca 2026 Review: In DEATH BOOM, Eli Roth Narrates a Brutally Honest, If Not Brutal, Exposé of the Funeral Industry
Tribeca 2026 Review: SKATEBOARDING IS NOT FOR GIRLS, Bittersweet Tale of Girlhood Realities
CHARADE Blu-ray Review: Spies, Danger, Laughs and Fashion an Eclectic Criterion Mix
Tribeca 2026 Review: KILLING CASTRO, Neat Thriller Based on Incredible Real Story
Tribeca 2026 Review: ACT ONE Turns Acting Class Into Unsettling Power Struggle
Tribeca 2026 Review: ICONOCLAST, Impressive Debut Thriller About (Ir)reality of Love
Tribeca 2026 Review: HALLOWARRIOR, Post-Apocalyptic Horror Take on HOME ALONE, Both Bloodthirsty and Sweet
Tribeca 2026 Review: PONDEROSA, Surreal Brain Teaser Is Bogged Down by Its Own Ambition
THE DEVIL QUEEN Review: Blood and Glitter in the Streets of Rio
Tribeca 2026 Review: CROOKS, Film Noir Pastiche Finds Its Footing in Melora Walters’ Feral Performance
KRAKEN Review: A Beast Burdened By Clichés
FIND YOUR FRIENDS Review: Girls’ Trip Fractures Into a Fight for Their Lives
Time and Water review – a lament for a disappearing world
FIVE EASY PIECES 4K Review: Jack Nicholson Self-Destructs
Disclosure Day review – distinctly lacking in patented Spielberg magic
Tribeca 2026 Review: BREEDER Wants to Make You Really Uncomfortable, and It Probably Will Succeed
The Boy with the Light-Blue Eyes – first-look review
