
CATASTROPHE BALLET
As evening falls, knowing the dark for light
CATASTROPHE BALLET
As evening falls, knowing the dark for light
Interview


Portion Control interview: ‘It’s closer to handling someone else’s archive that happens to have your name on it’

Between Fallen Angels and Gotham Nights — An Interview With Casket Cassette and Stare Away on the “Reducer” Tour

Une Vraie Gothique interview: ‘The Goth scene is about celebrating life, with one foot in another world’

Suuns: We Try to Create a Kind of Feverish Dream Vibe

Linea Aspera: Healing, Catharsis and the Evolution of Minimal Wave

“Ghosts to Dream Of” — An Intimate Conversation Between IAMX and Aux Animaux Ahead of the Recollections Tour

Dirk Da Davo interview about the end of Neon Electronics: ‘I am happy not to be an 18-year-old musician at the start of his career who needs to compete with soulless AI music, and whose success is measured in the quantity of likes on social media’

Ataraxia interview: ‘We don’t set ourselves against something; we act creatively to create something’

Kant Kino interview: ‘Sometimes a joke gets closer to the truth than a manifesto’

CUT.RATE.BOX Interview: ‘I Just Got Lucky And Picked The Horrible Version Of The Future’

Lebanon Hanover: Intimacy, Darkness and Emotional Connection on Stage

Foule interview: ‘Electronic and organic, dark but playful, delicate yet violent, raw yet poetic’

Suicide Commando interview – Johan Van Roy opens the gates of his musical hell

DeVision Redux interview: ‘A Sense Of Renewal Rather Than Nostalgia’

Countdown to the Telepathic Windows Festival 2026 Vol. 1 // An Interview with THE MOONBUGS

Digital Factor Interview: ‘Reaching 1.0 Would Almost Be a Shame’

Cold Sector interview: ‘I believe that in wartime periods it is not only possible but also necessary to make long-term plans’

The Other Voice Of Bronski Beat: Jon Jon Foster reflects on ‘Truthdare Doubledare’ at 40

Dawn Of Ashes interview: ‘Sometimes, suffering is a necessary part of healing’

Dronny Darko interview: ‘Subtle, restrained, but constantly on the edge of unraveling’

Back to the basics in search of emotional connection // An Interview with MELANCULIA

Her Own World interview – Building scale without breaking the spell

IAMX interview – The art of staying unfinished
