Norwegian EBM duo Kant Kino discuss their new album “Echoes of The End”, released nine years after “Kopfkino”. In an interview with Side-Line, vocalist Lars Henrik Madsen explains how the project’s lengthy gestation involved pandemic disruptions, health challenges, and creative fatigue, during which the world’s anxieties increasingly mirrored the album’s lyrical preoccupations. The 24-track record deliberately rejects concise modern formats, instead creating a dense landscape reflecting contemporary noise and exhaustion. Madsen emphasizes that Kant Kino have never treated EBM as a rigid formula but rather embrace melodic experimentation, humor, and absurdist perspectives. He argues that comedy serves not as escapism but as a more accurate lens for experiencing reality—where personal struggles, contradictions, and mundane frustrations coexist with social critique. The album functions as observational field recording rather than speculative prediction, capturing how people actually experience societal decline through everyday moments rather than dramatic spectacle.
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Alfamatrix — Echoes Of The End Deluxe EditionListen on Bandcamp →
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