CATASTROPHE BALLET
As evening falls, knowing the dark for light
CATASTROPHE BALLET
As evening falls, knowing the dark for light
Movies
BUDDY Official Teaser: Caper Kelly’s Horror Comedy is Coming to Theaters on August 28th
Neuchatel 2026 Daily: From MORT UN DIMANCHE DE PLUIE to IF I GO WILL THEY MISS ME to LIGHT PILLAR and More
Summertime Solitude: The Green Ray at 40
MUBI Podcast | Alejandro G. Iñárritu & Rodrigo Prieto look back on “Amores Perros”
Young, Wild, and Free: Bruno Dumont on “Red Rocks”
Our Hero, Balthazar review – perceptive dark comedy
3 Weeks After – first-look review
Rosebush Pruning review – a dark-hearted, button-pushing hoot
Pop-Stars Aren’t Born, They’re Made
A Cinema of Survivances: On Lucrecia Martel’s Nuestra tierra
Festivals ashore: Visual sovereignty and the urgency of Indigenous film festivals
Seven-Word Reviews | Il Cinema Ritrovato 2026
You, The Living
Nine Commercials by Roy Andersson
Karlovy Vary 2026 Exclusive: RAIN CATCHER Poster Premiere
Neuchatel 2026 Daily: FISH, FISTS AND AMBERGRIS to EVIL DEAD BURN to IKATAN DARAH
Life Without Principle: “I Understand Completely”
Human Poems: Roy Andersson’s Songs from the Second Floor
A Radical Resurgence from the Rubble: Duncan Reekie’s BOOM! The Exploding Cinema and the New London Underground
Through the Looking Glass: The Gold Diggers
Japan Society’s “So as to Dream: The Eternal Mysteries of Kaizô Hayashi,” Part 1: The Maiku Hama Film Noir Trilogy
Thoughts On S/He Is Still Her/e – The Official Genesis P-Orridge Documentary
Pigeon Shrine FrightFest Review: Azrael: Angel of Death Delivers Dialogue-Free Action Horror
LOCKBOX Review: Uneven Supernatural Horror Movie with TWIN PEAKS DNA
Sound And Vision: Yoshihiro Nishimura
THE BIG COMBO 4K UHD Review: Restored 1955 Classic, Where Information Is Essential
WERWULF Official Trailer: Of Robert Eggers, Aaron Taylor-Johnson & Medieval Wolves
The Current Debate | AI and Cinema, or: What Is a Film?
Making A Splash: Remembering Hockney Onscreen
Ceremony TV, All The Micro-docs About Corruption, Greed, And True Crime You Need, Free on YouTube
Karlovy Vary 2026 Exclusive: MY FRIEND THE PORN STAR Poster Premiere
CAMP Review: Unraveling the Divine Contradictions of Mourning
Tribeca 2026 Wrap: All Our Reviews, Good and Otherwise
THE SAMURAI AND THE PRISONER: Official Trailer & Poster For Kiyoshi Kurosawa’s Period Murder Mystery
Neuchatel 2026: Genre Fest Kicks Off Next Week
KEN RUSSELL’S THE DEVILS Official Teaser Trailer: First Look at the 4K Restoration
Black Swan at the A.R.T: an unearthly medley of film, musical theatre and ballet
The Last Viking review – Danish dark comedy is a bonkers ride
Dances With Films 2026 Review: LITTERMATES, When Safety Is Not Sufficient
UNIDENTIFIED Review: Making Sure the Victim Receives Justice
Chattanooga 2026 Review: NIGHT AFTER NIGHT, Atmospheric Sci-Fi Horror Suffers from Narrative Ambiguity
LEVITICUS Review: Queer Horror Becomes Frighteningly Literal
ROSE OF NEVADA Review: Ancient Ways That Still Rule Us All
THE DEATH OF ROBIN HOOD Review: Brutality and Sweetness Battle to Affirm the Importance of Stories
SLASHERCISE: Retro-Fitness Slasher Sheds Pounds, Violently, on BloodStream This July
Effi O Blaenau review – stealthy socialist propaganda
Rushes | DOJ Approves Paramount-Warners Merger, Wim Wenders Withdraws “Wrong Move,” Remembering Marjane Satrapi
The Lost Art of Pixar Short Films
