CATASTROPHE BALLET
As evening falls, knowing the dark for light
CATASTROPHE BALLET
As evening falls, knowing the dark for light
Movies
Opening This Week: THE FURIOUS Fight Against Kidnappers, DISCLOSURE DAY Reveals We Are Not Alone, KRAKEN Brings a Norwegian Monster
Tribeca 2026 Review: COTTON FEVER, Familiar Addiction Story, Yet Vastly Different
Define Auteur: In defence of Under the Cherry Moon
Times and Tides: Tsui Hark Discusses His Career
Enzo review – gorgeous portrait of teenage growing pains
Mare’s Nest review – a burnished gem from a British master
Scary Movie review – belated return of the gag-light horror parody series
Frontières 2026: Full Lineup Announcement
Tribeca 2026: Kicking Off
MUBI Podcast: Encuentros | “Not Putting Cinema Before Life”
CROOKS: Check Out The Teaser and Poster Debut For Mickey Keating’s Pulpy Crime Thriller (Exclusive)
CAMP: A First Look Clip And New Poster For Witchy Coming-of-Age Horror (Exclusive)
UNDERLAND Review: A Sensorial and Philosophical Experience
ICE CREAM MAN: Do You Want One or Two Scoops of The Official Trailer For Eli Roth’s New Horror Flick?
HOLD THE FORT: The HOA ‘in’ Hell Horror Comedy is Coming to Digital on June 23rd
ANOTHER WORLD Review: Reincarnation Is Never Easy. Neither Is Untying Knots.
THE DEAD PLACE Review: Micro-Budget Horror With Big Ideas
ONSLAUGHT Trailer: Adam Wingard And Simon Barrett Are Back With Military Themed Slasher
A T&M Cannes Film Festival Special #2
CHUM Review: Shark Horror and Serial Killer Thriller Mash-Up Sinks to the Bottom
BloodStream’s June Schedule Includes Exclusives Galore, Horror Icons, And a Virtual Wave of Shark Themed Horror
Opening This Week: MASTERS OF THE UNIVERSE Roar, POWER BALLAD Sings, CAROLINA CAROLINE Steals
BRING ME THE BEAUTIES: A MODEL CULT Review: Deceptive Powers
MARRIED ALIVE: Studio Dome Releasing Father/Son Survival Thriller This Father’s Day (Exclusive)
Sound And Vision: Hiro Murai
Being Powerless but Ethical in Erdoğan’s New Turkey: İlker Çatak’s “Yellow Letters”
SPEED DEMON Review: THE EXORCIST on a BULLET TRAIN
STAR CITY Review: 50 Shades of Grey in the Space Race
COIN Trailer Premiere: Two Friends, One Scam, Zero Exit Strategy
Now Playing: BACKROOMS Creeps, PRESSURE Salutes, THE CURRENTS Respects and Rewards
KAYLA’S GOING-AWAY PARTY: Horror Icons Bill Moseley And Lynn Lowry Join Indie Horror Film
TERRIFIER’s Damien Leone to Make TORTURES OF THE DAMNED For Lionsgate
Friday One Sheet: THE FURIOUS
Primer | Veteran: The Action Films of Ryoo Seung-wan
THE CURRENTS Review: Better Than a Cold Plunge
BACKROOMS Review: The Monstrous Labyrinth of the Human Psyche
TEENAGE SEX AND DEATH AT CAMP MIASMA Official Trailer & Poster: Little Death is Coming
Cannes Correspondences #3: Second Lives
WE’RE NOTHING AT ALL Review: Hong Kong Shockmeister Herman Yau Breaks Your Heart, Churns Your Stomach
Seven-Word Reviews | Cannes Film Festival 2026
PITFALL Review: FRIDAY THE 13TH Meets 127 HOURS, Yet Can’t Avoid Pitfalls
Shudder in June: FIND YOUR FRIENDS, FORBIDDEN FRUITS, THE VOICES OF OUR MOTHER and More
PSYCHO KILLER: Slasher to Stream May 29th on Hulu on Disney+
FORASTERA Review: Moving Slowly Into That Good Night
Cannes 2026 Interview: TITANIC OCEAN Director Konstantina Kotzamani on How Personal Experience Inspired Her Dreamlike Debut
Opening This Week: BACKROOMS Liminal Horror, PRESSURE Wartime Tension, THE CURRENTS Psychological Mystery
Cannes 2026 Review: THE ELECTRIC KISS (La Vénus Électrique), Gallic Comedy Parodying Spirit Possession
An Act Of Self-Defence: How To Blow Up A Pipeline Interview
