CATASTROPHE BALLET
As evening falls, knowing the dark for light
CATASTROPHE BALLET
As evening falls, knowing the dark for light
Movies
THE NEON DEMON Retrospective: Still More Than Skin Deep
Tribeca 2026 Review: ONLY WHAT WE CARRY, More Poetic Than Profound
Art for Fart’s Sake: In Praise of “South Park”
Now Playing: LEVITICUS Queer Horror Terrifies, THE DEATH OF ROBIN HOOD Tells a New Story
Tribeca 2026 Review: In DEATH BOOM, Eli Roth Narrates a Brutally Honest, If Not Brutal, Exposé of the Funeral Industry
Tribeca 2026 Review: SKATEBOARDING IS NOT FOR GIRLS, Bittersweet Tale of Girlhood Realities
Movie Poster of the Week | Tony Stella in Memoriam
Sound And Vision: John Carney
CHARADE Blu-ray Review: Spies, Danger, Laughs and Fashion an Eclectic Criterion Mix
Tribeca 2026 Review: KILLING CASTRO, Neat Thriller Based on Incredible Real Story
Tribeca 2026 Review: ACT ONE Turns Acting Class Into Unsettling Power Struggle
Disclosure Day | The War Of The Worlds | Close Encounters Of The Third Kind | E.T.
Opening This Week: THE DEATH OF ROBIN HOOD, LEVITICUS, THE VOICES OF OUR MOTHER
Criterion in September 2026: THE SECRET AGENT, Richard Linklater’s NOUVELLE VAGUE, THREE FILMS BY LEOS CARAX
Echoes: 12 Wide Releases That Could Define the Second Half of 2026
MUFFLED Teaser: Found Footage Horror Makes Its World Premiere at Dances With Films on June 27th (Exclusive)
Tribeca 2026 Review: ICONOCLAST, Impressive Debut Thriller About (Ir)reality of Love
PACIFICO: Spanish Language Sci-fi Creature Feature Will Premiere at Bifan
Friday One Sheet: NIGHT NURSE
Tribeca 2026 Review: HALLOWARRIOR, Post-Apocalyptic Horror Take on HOME ALONE, Both Bloodthirsty and Sweet
Tribeca 2026 Review: PONDEROSA, Surreal Brain Teaser Is Bogged Down by Its Own Ambition
THE DEVIL QUEEN Review: Blood and Glitter in the Streets of Rio
Tribeca 2026 Review: CROOKS, Film Noir Pastiche Finds Its Footing in Melora Walters’ Feral Performance
KRAKEN Review: A Beast Burdened By Clichés
FIND YOUR FRIENDS Review: Girls’ Trip Fractures Into a Fight for Their Lives
Nordic Genre Lab 2026: Eight Projects Announced For Inaugural Genre Film Development Programme
MANCAVE Trailer: One of Our Favorite Norwegians, Fredrik S. Hana, Has a New Short!
Time and Water review – a lament for a disappearing world
Scott Z Burns | Erupcja + Pete Ohs | Enzo
Always Proceed and Go Forward: Koji Yakusho Reflects on His Career at 70
BY HOOK OR BY CROOK Interview: Harry Dodge and Silas Howard Look Back on Their Landmark Film in Advance of Restoration Tour
FIVE EASY PIECES 4K Review: Jack Nicholson Self-Destructs
Disclosure Day review – distinctly lacking in patented Spielberg magic
Tribeca 2026 Review: BREEDER Wants to Make You Really Uncomfortable, and It Probably Will Succeed
The Boy with the Light-Blue Eyes – first-look review
Tribeca 2026 Review: COLORS OF WHITE ROCK Documents Struggles of Mongolian Truck Driver
An Argentine Spin-Off of Joe Begos’ JIMMY AND STIGGS is Underway
Toronto After Dark 2026: Passes on Sale Thursday, Festival Expands Venues And Programming
Tribeca 2026 Review: THE HAUNTING OF PENNHURST Once Again Proves the Most Relevant Horror Comes in Documentary Form
Cannes 2026 Review: SPECIES (SANGUINE) Is THE SUBSTANCE for the Burnout Generation
Sensory Pleasures and Queer Realities: A Queer East Confessional
In the Hand of Dante review – a high-minded mess
Savage House – first-look review
Feast or Famine – first-look review
The Fall Of Sir Douglas Weatherford review – disappointingly flat
Tribeca 2026 Review: CAITY, Haunted House Coming of Age Story
Tribeca 2026 Review: In SUMMER WAR, The War Games Continue
Tribeca 2026 Review: THE REVISIONIST Sets Out to Explore the Process of Creating Plots, but Loses Its Own
