Noir Kei Ninomiya SS27 wants us to stop and taste the roses
Japanese avant-garde designer Kei Ninomiya presented his Spring/Summer 27 collection at Paris Fashion Week, positioning fashion as experimental conceptual art rather than commercial garment production. The collection responded to accelerating technological integration in fashion by advocating digital detachment, employing sculptural natural materials—flowers, butterflies, and playing cards—as primary design elements. Garments featured intricate floral construction: blooms woven as lace overlays, structured as three-dimensional harnesses, and incorporated into leather pieces; playing cards were transformed into 18th-century silhouettes with 3D-printed suit symbols. Beauty presentation included elongated coiled ringlets in multiple colors, forest-inspired antler headpieces, and fresh flowers positioned inside models’ mouths rather than conventional makeup, literalizing the concept of sensory engagement with nature. Ninomiya framed the floral vocabulary as ‘armor of peace,’ emphasizing paradox between vulnerability and protection—characteristic of his ongoing commitment to difficulty and intellectual provocation in fashion design.
Original article published on Dazed — AI-generated summary. Visit the website to read the full article at the source. Image via Dazed.
