Little White Lies publishes a critical essay from the Queer East Film Festival’s Emerging Critics initiative, exploring responses to the festival programme. The piece examines filmmaker Hiroyuki Oki’s retrospective screening at the ICA, focusing on four silent archival works shot on 8mm and 16mm film that blur documentary, diary, and fiction. The author reflects on cinema as sensory experience, analyzing how desire emerges through silence, gesture, and spatial intimacy rather than explicit representation. The essay emphasizes the phenomenological encounter with Oki’s intimate, textural filmmaking practice within a broader meditation on queer aesthetics and emotional presence in contemporary film criticism.
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