CATASTROPHE BALLET
As evening falls, knowing the dark for light
CATASTROPHE BALLET
As evening falls, knowing the dark for light
Essay
Stroppy, Optimistic, Overdressed Young Men: Robert Elms Remembers the Blitz Club
What Makes a Classic Album in the Streaming Era? or What Charli XCX Could Learn from The Police
Portraits of the Artist: Künstlerromane in an Age of Uncertainty
Smashed Glass, Smack & Dog-Throwing: the Anarchy of early Clock DVA
Jet Propulsion Laboratory: Ben Cardew on The Pivotal Role of Stereolab’s ‘Super-Electric’
The American Civil War: ‘A Rose for Emily’
Hawai’i, History, & the Unexpected Gothic: ‘The Hala Tree Walks in Darkness’
Identifying the Gothic: The Seven Gothic Signs
Guest Post: Wicked Women and the Female Gothic, Du Maurier’s ‘Rebecca’ & ‘My Cousin Rachel’
Low Culture Podcast: Performance
The Great Majority: Body Snatching and Burial Reform in 19th-Century Britain
“Wretches, Speak Evil of Me”: Goethe and Schiller’s Xenions (1896 edition)
Fear and Fragility: The Glass Delusion and Its History
Pulex irritans: The Attack of the Monster (1885)
“A Beautiful Purplish Hue”: Frank Dudley Beane’s Experience with Ergot and Cannabis Indica (1884)
Magic by Return of Post: How Mail Order Delivered the Occult
Longitude by Way of Wounded Hounds: Kenelm Digby’s Sympathetick Powder (1669 edition)
